MuramasaMachII
Servantos
by , August 30th, 2022 at 04:46 PM (341 Views)
Originally Posted by MuramasaMachII
Faceclaim:
Class: Caster
Other Classes: Rider, Saber, Watcher
Alignment: Lawful Neutral
Place of Origin: Germany, Historical Facts
Attribute: Human
Parameters:
STR: C(B+)
END: B(B+)
AGI: C(C+)
MGI: A
LCK: B-
NP: A+
Height: 186cm
Weight: 79kg
Likes: Opera, music, Norse Mythology
Dislikes: Being in exile, being poor, people with no taste in music
Talent:
Natural Enemy: Kremhild, Siegfried, Sigurd
Attribute: Man
Traits: Human, Male, Weak to Enuma Elish
Armament: Conductor’s stick, Valkyrie familiars
Catalyst: A sheet of the original Der Ring des Nibelungen
Class Skills:
Territory Creation A+:
Caster can create a workshop, where he composes his music. Even more is that he can create an “opera house” which is superior to a “workshop” for his second Noble Phantasm.
Item Construction C+:
In life, Caster was never known for manufacturing items, so his rank in this skill should normally be quite low. But, since Caster was associated highly with music and his opera, he may manufacture musical instruments or lower-quality items from the Nibelungen, such as the Tarnhelm(a helmet which grants a form of the Faker class skill Camouflage at rank C), or other Scandinavian/Norse mythical weapons (like Ridill or Hrotti)
Personal Skills:
Familiar(Walküren) A:
Caster is able to create four small humanoid familiars that he calls his “wonderful mini-orchestra.” They are born from the fused facts of the opera being Caster’s specialty, and his opera Der Ring des Nibelungen. Thus, they look like mechanical automata Valkyries, wielding various brass musical instruments.
Pioneer of the Stars B:
Caster is known as one of the most famous 19th century composers, and one of the most important composers as is. His revolutionary style transformed Western music, specifically opera forever, and for the better.
Gesamtkunstwerk EX:
A “total work of art” or “ideal art form”. A word not made by Caster, but used by him so much that it has been permanently associated with him. This skill allows Caster to observe music related skills, magecraft, and some low-ranked Noble Phantasms and add their abilities to his own.
Noble Phantasm(s):
Ride Of The Valkyries
Trumpeting Charge of The Shield-Maidens
Type: Anti-Team
Rank: B
Range: 10 metres
Max Targets: 22 targets
The sublimation of one of Caster’s most famous compositions, Walkürenritt, also known as ‘The Ride of the Valkyries’. Passively, this Noble Phantasm manifests as Caster’s Valkyrie familiars. On the release of its True Name, ear-piercingly loud drums and horns play, the namesake of Caster’s Noble Phantasm triumphantly playing, weakening the targets’ mental resistance and putting them off balance. Then, as the music reaches its crescendo, Caster’s familiars transform into Odin’s Shield-Maidens, the Valkyries, riding mechanical horses and charge at the targets.
Bayreuther Festspielhaus
Stadium of My Greatest Works
Type: Barrier/Support
Rank: B+
Range: 50 metres
Max Targets: 200 targets
The embodiment of the opera house of the same name, where Caster’s works are played at the Bayreuth festival and celebrated. It is a Bounded Field-type Noble Phantasm, and similarly to Avicebron’s Golem Keter Malkuth, this Noble Phantasm requires raw materials to create. Thus, in a Holy Grail War, Caster would dedicate his time to building this Noble Phantasm. Once the construction is complete, on release of the True Name, the whole building becomes a Bounded Field that both boosts Caster’s MGI and NP parameters, and grants him C rated music-based magecraft. The true purpose of this Noble Phantasm, though, is to activate Caster’s third Noble Phantasm, which is his trump card.
Der Ring des Nibelungen
Saga Of the Dragon-Slayer
Type: Anti-Army/Reality Marble
Rank: A
Range: 50 metres
Max Targets: 200 targets
The trump card Noble Phantasm, and Caster’s zenith of abilities. Passively, it takes the form of a simple gold ring that Caster wears upon his index finger. When Caster is first summoned, this ring only has the use of locating golden objects, truly being able to be active once Bayreuther Festspielhaus is completed. On release of this Noble Phantasm’s True Name, Caster lifts up his index finger to the sky, causing his ring to rapidly expand and shine brightly like a star. The ring expands to its maximum size like a halo above Caster, and shines its brightest. Once fully materialised, Caster stands in the Rhine river, where the Ring was first found, and the main focus of the opera. Surrounding the Rhine river are important locations in the Nibelungen, such as Vosges and Worms. The true purpose of this Noble Phantasm though, is to create Demi-Servants inside the Reality Marble. Caster does this by assigning traits of his characters to his allies: A female Berserker would gain the traits of Kremhild, a male Ruler would gain the traits of King Gunther, etc. Furthermore, Caster’s transformation that he bestows upon himself is the greatest: He gives himself a modified copy of Siegfried’s Balmung, which he calls Götterdämmerung: Twilit Greatsword-Razing of the Gods. This weapon is a ranked down version of Balmung with the Anti-Divine trait attached. There is a severe downside to this Noble Phantasm though: Since Caster is not the original wielder of Balmung, or a Saber, each use of this Noble Phantasm severely injures his Saint Graph.
Lore/Personality:
Caster’s True Name is Richard Wagner(1813-1883), a 19th century German composer, theatre director, polemicist and conductor, creator of the Der Ring des Nibelungen, one of the most important opera works in history.
Prideful, yet not arrogant. A man with only two great loves: creating musical works and Norse mythology. That is who Wagner is. He carries himself like a medieval hero, showing a love of adventure and laughing loudly as he charges into battle. At least, that’s what he wants to be… In reality, Caster is nowhere as fervent as he wants to be. He is but an (extremely) prideful and sincere composer who is not-so secretly a severe fanboy of the Scandinavian mythos.
Wagner also clearly has a love for his own musical works, and loves to play them at any time possible, whether for dramatic entrances or battles, to the point where it’s almost annoying.
Relationships:
Siegfried: “Ah, yes, the main character of my work! Great to be working beside you, Dragon-Slayer!”
Sigurd: “Wow! I’ve always wanted to meet you! You were a great inspiration for my works! You’re even cooler in real life!~”
Kremhild: “I would say I’m sorry for how I made your story, but I’m not. All in the name of a great plot I guess! Wait, why are you jumping at—-!”
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Notes:
Well, this is my first try at a Servant sheet. Feel free to criticize this all you want.
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